Writer Steven Thomson and photographer Cameron Blaylock respond to Thomas Hirschhorn's Gramsci Monument, a conceptual sculpture commemorating an Italian philosopher installed at a NYCHA complex in the Bronx.

In the latest installment of their Crisis Fronts degree project, Michael Chen and Jason Lee ask students to use the specific urban challenges of the Bronx to investigate the intersection between public policy and speculative design.

In our third of a series of profiles of Naturally Occurring Cultural Districts around the five boroughs, Joey de Jesus takes us on a tour of Hunts Point, Bronx, to explore how artists, activists, and educators have turned social and environmental challenges into opportunities.

As part of Typecast, an investigation into five "towers-in-the-park" across New York City, Amani Willett photographs Co-op City in the Bronx.

The founder and president of the Women's Housing and Economic Development Corporation (WHEDco) talks about the difference between building structures and building communities, the musical legacy of the Bronx, and how the persistence of memory affects neighborhood growth.

Biologist and plant scientist Paul Mankiewicz explains the Gaia Hypothesis, the inherent environmental productivity of organisms, and why the city's waste stream is our greatest untapped ecological and economic asset.

Amanda Schachter and Alexander Levi, of SLO Architecture, discuss the power of long-term community engagement, their proposal for an abandoned train station, and the potential of a long neglected river to connect the Bronx and the entire city.

Three student videos investigate borders and urban transitions along 58th Street in Manhattan, aboard the Staten Island Ferry, and within the Hub in the Bronx.

Susanne Schindler and Juliette Spertus examine two very different large-scale, high-density housing developments in the Bronx and consider how their histories can inform future innovation in affordable housing.

The founder and the director of an organization that revitalizes neighborhoods by curating exhibitions in empty spaces discuss their process of transforming a Bronx landmark into a temporary venue for contemporary art.