An ambitious new opera plumbs the humanity and contemporary relevance of two mythic figures of New York City: Jane Jacobs and Robert Moses.
An artist and an artificial intelligence, trained on the data of 1,000 anonymous New Yorkers, follow a path forged by no one in particular.
With simple phrases beamed in light, the Illuminator Collective appropriates buildings' exteriors to reveal the forces at work inside.
Theater-makers, natives, and newcomers draw mental maps of how they navigate comfort and discomfort in a rapidly changing city.
From riots to gentrification, a new production reflects on the evolution of the central Brooklyn neighborhood through oral history, dance, and music. Samuel Feldblum asks, when aggregating narratives, whose story is actually being told?
How did a musical that contains virtually nothing of New York come to represent the city?