TOPIC

Writing the City

Typecast: Row House

At Face Value

For our Typecast series, Rob Stephenson combs the city for the quirks, flourishes, and changing facades that make each row house unique.

City of Cycling: Empathy

Empathy

In the final installment of City of Cycling, SLO Architecture queries the bike’s ability to create an urbanism of empathy. Can taking to the streets on two wheels inspire greater understanding among everyone who moves through the city?

City of Cycling: Networks

Networks

In the second installment of City of Cycling, guest editors SLO Architecture examine the city’s cycling networks, existing and imagined. How are New Yorkers mining history, adapting technology, and making personal connections to develop the bike networks they desire?

City as Playground

Artist Julia Jacquette and writer James Trainor discuss Jacquette's graphic memoir, Playground of My Mind, digging into the sandbox of their memories and a critical chapter in the history of New York City's public spaces.

City of Cycling: Speed

Speed

Guest editors SLO Architecture present the first installment in the series City of Cycling. Bicycles can serve as slow, local transportation and fast, long-distance travel. How are they changing our metropolitan infrastructures?

Typecast: Row House

The Magnate-Messiah of the Upper West Side

This week on Typecast, Allison Henry tells the tale of Clarence True, a 19th century architect-developer who believed he alone could save the row house from mundanity.

Boxed In, Boxed Out

As Diatre Padilla explains, getting around in the city and getting ahead in life are inextricably linked—especially in the Southeast Bronx, where the Bruckner Expressway casts a long shadow.

Typecast: Row House

The Tudor Plain

For our Typecast series, Thomas J. Campanella traces the development of Brooklyn's vast southern plain, a landscape of storybook neo-Tudor row houses thanks to Depression-era builders like Fred Trump.

Leaf Head: A New Yorker Learns to Look at Trees

When Russell Jacobs started identifying trees, he found history, conflict, and company in an overlooked component of the streetscape.

Finding New York in West Side Story

How did a musical that contains virtually nothing of New York come to represent the city?