TOPIC
Writing the City
At Face Value
For our Typecast series, Rob Stephenson combs the city for the quirks, flourishes, and changing facades that make each row house unique.
Empathy
In the final installment of City of Cycling, SLO Architecture queries the bike’s ability to create an urbanism of empathy. Can taking to the streets on two wheels inspire greater understanding among everyone who moves through the city?
Networks
In the second installment of City of Cycling, guest editors SLO Architecture examine the city’s cycling networks, existing and imagined. How are New Yorkers mining history, adapting technology, and making personal connections to develop the bike networks they desire?
City as Playground
Artist Julia Jacquette and writer James Trainor discuss Jacquette's graphic memoir, Playground of My Mind, digging into the sandbox of their memories and a critical chapter in the history of New York City's public spaces.
Speed
Guest editors SLO Architecture present the first installment in the series City of Cycling. Bicycles can serve as slow, local transportation and fast, long-distance travel. How are they changing our metropolitan infrastructures?
The Magnate-Messiah of the Upper West Side
This week on Typecast, Allison Henry tells the tale of Clarence True, a 19th century architect-developer who believed he alone could save the row house from mundanity.
Boxed In, Boxed Out
As Diatre Padilla explains, getting around in the city and getting ahead in life are inextricably linked—especially in the Southeast Bronx, where the Bruckner Expressway casts a long shadow.
The Tudor Plain
For our Typecast series, Thomas J. Campanella traces the development of Brooklyn's vast southern plain, a landscape of storybook neo-Tudor row houses thanks to Depression-era builders like Fred Trump.
Leaf Head: A New Yorker Learns to Look at Trees
When Russell Jacobs started identifying trees, he found history, conflict, and company in an overlooked component of the streetscape.
Finding New York in West Side Story
How did a musical that contains virtually nothing of New York come to represent the city?