MdeAS Architects principal Dan Shannon walks through the market, regulatory, and cultural forces behind Midtown commercial redevelopment projects and their potential to transform aging assets into competitive buildings.

Juliette Spertus and Benjamin Miller lay out their ambitious proposal for a pneumatic waste system affixed beneath the High Line and articulate how this expansion of infrastructural repurposing could fundamentally reshape what we do with our garbage.

Oksana Mironova documents varied approaches to City-led redevelopment in Lincoln Square and the West Side Urban Renewal Area and calls for an evolution of contemporary rezonings to prioritize the preservation of existing communities.

Marie Warsh draws on recent archaeological discoveries to revisit the history of the northern end of Central Park. Touching on geology and topography, 19th century military strategy, and new readings of documentation of Central Park's creation, she reveals a more densely layered cultural landscape than is commonly understood.

Photographer and filmmaker Khalik Allah has spent three years documenting one Harlem intersection and the people who inhabit that corner at night. His striking portraits confront issues of poverty, homelessness, addiction, and illness, while showing the beauty and humanity of those who are often forgotten, feared, or willfully avoided.

Damian Santucci, Director of Production and Operations for the Times Square Alliance, walks us through the groundwork behind the spectacle of the Square and the logistics of coordinating hundreds of events, film shoots, and public art installations in a public space that sees 350,000 visitors a day.

Aaron Reiss dives into Beyond the Grid, an ambitious plan underway in the Two Bridges neighborhood of Lower Manhattan to create a more resilient, connected, and sustainable Lower East Side by fusing heating, power, and communications infrastructures.

Performance artist Karen Finley actively reimagines Columbus Circle through the conceptual and geometric elements of the mandala.