Jonathan Tarleton explores how the Weeksville Heritage Center is leveraging Crown Heights’ and Bed-Stuy’s storied pasts, local assets, and arts and culture to catalyze a community in the midst of shifting neighborhood dynamics.

Writer Steven Thomson and photographer Cameron Blaylock respond to Thomas Hirschhorn's Gramsci Monument, a conceptual sculpture commemorating an Italian philosopher installed at a NYCHA complex in the Bronx.

Hester Street Collaborative's Anne Frederick and Dylan House discuss a temporary pop-up public space on the Lower East Side that creates an asset for the neighborhood while informing and building momentum for the design of a future permanent park.

Architect Rachel Barnard describes her new public art program for adolescents in the criminal justice system and reflects on the potential legal, social, and urban significance of an art- and architecture-based approach to restorative justice.

In the last of a series of profiles of Naturally Occurring Cultural Districts around the five boroughs, Summer Brennan explores the existing cultural community in St. George, Staten Island, and plans to encourage and capitalize on it to create "a high visibility gateway for cultural activity in Staten Island."

Architectural photographer Albert Vecerka discusses his photographs of Harlem with historian John Reddick, reflecting on the visual traces of social, economic, and urban change.

Yukie Ohta looks at the dramatic transformation of SoHo over the past 50 years, from a center for light manufacturing, to a desolate and dangerous wasteland, to one of the most affluent neighborhoods in New York.